All in a day's work

These are the results of the jewellery course I went to last weekend at Ku-ring-gai Art Centre.

Coral-textured pendant with dichroic glass cabochon

This one turned out more 'handmade' looking than I'd hoped.  I didn't allow quite enough for the clay to shrink in the kiln, so it split at one of the joins.  But the dichroic glass is beautiful and it looks great on (much better than it does when I inspect it up close with my critical maker's eye).

Silver leaf imprint

These are made by painting layers of precious metal paste onto a real leaf.  Each layer must be completely dry before the next is applied.  Then they are fired in a kiln.  The leaf and the binding clay burn away, leaving pure silver.

I finished this by tracing the major vein lines with a burnishing tool, then burnishing a few raised parts of the leaf randomly.  I haven't made this into a piece of jewellery yet.  I think I might try to solder a pin to the back to make a brooch.

Open ring - textured PMC. 

Earrings for an autumn saunter

These were hand formed using precious metal clay and hand tools, sterling silver wire for the hooks.  I love the texture of these and the way the burnishing highlighted the raised parts of the pattern, leaving the rest a softer silver.

I'm still undecided about using PMC as a medium on a regular basis.  It's certainly much quicker to work with than sterling silver sheet and wire, but the nature of a clay-based medium means it's also harder to be precise.  

But the workshop was great, worth every penny. Just as it did the last time I made silver jewellery, I was barely aware of time passing.  I was happy, well and truly 'in the zone'.  It was a good reminder of why I want to find a way to make jewellery all the time.